Workflow with only one Camera (+ BASIS Working Colour Space)

If you work with only one camera, colour management is still essential. Learn how to manage your timeline so grading becomes easy, fast and predictable.


Published

Time to Read

1โ€“2 minutes

In this tutorial, we take a look at colour managing a timeline when using only one camera. Even with footage from only one camera, colour management is still essential. We also take a look at BASIS’ colour space setting and answer the question how and when you should use it.

We cover:

  • Colour Management Basics
  • Colour Management in Final Cut Pro
  • How to use LUTs with BASIS and the Colour Space Transform
  • Working with custom LUTs
    • LUTs for Rec.709
    • LUTs built for certain colour spaces
  • Camera colour spaces vs working colour spaces

You will find time stamps in the video for easier navigation.

In this tutorial, we use these products: